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All music presented on this site is shared under the premise of "fair use"; this site is solely intended for the purpose of education and critique. If you are a rights holder to any of the music presented and wish for it to be removed, simply contact me directly and it will be taken down.

Monday, December 31, 2012

DORIS & KELLEY - YOU DON'T HAVE TO WORRY


(originally posted 5/19/09)

Another day, another mystery record!

I am completely transfixed by the psychedelic, deep vibe of this song. Sadly, it appears as if this is the only record that these two made. A pity, but at least we have this one.

As always, any information about this record would be greatly appreciated.

from 1967...

DORIS & KELLEY - YOU DON'T HAVE TO WORRY

Sunday, December 30, 2012

THE SUPREMES - YOUR HEART BELONGS TO ME

It would take another six releases beyond this single (their 4th as The Supremes, plus one debut as The Primettes) before Berry Gordy found the formula that made the Supremes the most famous and popular girl group of all time.

This gorgeous release  took a theme that was popular at the time - a boyfriend in the service (see The Shirelles "Soldier Boy", as well as Marvin Gaye's answer record, "A Soldier's Plea"). Coupled with the genius poetry of Smokey Robinson, this record became a very minor national hit; a first for the group.

As Mary Wells was a big hit maker at Motown at this time, it's no surprise that a bit of the Mary Wells sound- vaguely Latin, lilting and rhythmic- would be heard on this side as well.

from 1962...

THE SUPREMES - YOUR HEART BELONGS TO ME

Friday, December 28, 2012

In tribute to Marva Whitney and (more Fontella Bass)

My latest post @ Bedazzled! is in tribute to the late great Marva Whitney and Fontella Bass. Check it out here.


BETTY WRIGHT - MAN OF MINE

Betty Wright's story is unbelievable; a TRUE life in music!

Born in Miami in 1953, Betty's debut musical performance was in 1956(!), singing with family gospel group The Echoes Of Joy. The group continued on until 1965; after the breakup, an 11 year old Betty switched to secular music. She began releasing records under her own name in '66 (including the amazing "Paralyzed" from 1967), and incredibly also worked A&R (she discovered George & Gwen McCrae).

Betty continued to release some excellent singles (including the amazing double sider 'Sweet Lovin' Daddy/ "Girls Can't Do What The Guys Can Do") throughout the late '60's, and she cut her massive hit, 'Clean Up Woman" in '71. All this before her 18th birthday!!!!

Follow up hits didn't come easy, although she released some records that proved to be incredibly influential (and massively sampled) later in 1990's hip hop. This track, catchy as can be and written by Betty herself, SHOULD have been a massive hit. While it leans into disco territory (which is just fine by me), the songwriting stays strong and is capped by a wonderful vocal.

Betty is still active in music, mostly lending her talent as a vocal coach to other singers. I sincerely hope that they appreciate the great gift they are being given by this amazing lady.

from 1977...

BETTY WRIGHT  - MAN OF MINE


Thursday, December 27, 2012

IN TRIBUTE: FONTELLA BASS - LUCKY IN LOVE + POOR LITTLE FOOL


With the passing of yet another one of the greats, it drives home the fact that we are so lucky to have this music. Fontella Bass was one of THE greatest voices of the '60's; may her music live on always.

(originally posted 1/13/10)

While Fontella never had the type of chart success (not to mention pop crossover) as she did with "rescue Me", there are a number of other great, overlooked records in her discography including this one which is a real fave of mine. Another stellar piece in the Chicago soul puzzle. Adding up the the output from the likes of Chess records, productions and recordings of groundbreakers Gene Chandler, Syl Johnson and Curtis Mayfield (among others), productions of Carl Davis and Gerald Simms (among others) usually when I hear people argue Stax vs Motown, I always throw in "but don't forget about CHICAGO"!

from 1967...

FONTELLA BASS - LUCKY IN LOVE



(originally posted 1/31/10)

As I was deciding which record to feature today, it dawned on me that there are very few female DUO records from this era; certainly much less common than male soul duo's. What a treat that we hear two of the greatest female singers TOGETHER on this disc!

Driven along by their sublime vocals and some truly epic baritone guitar, this song is a superb example of the early sixties St. Louis sound.

from 1963...

FONTELLA BASS and TINA TURNER - POOR LITTLE FOOL

Wednesday, December 26, 2012

DOTTY & BONNIE - YOUR PICTURE

A gorgeous record, and one that I truly wish I knew more of its story.

I'd love to know how this obscure Jamaican record came to be released in the US (on the ultra obscure "Humble' label' to boot), as well as exactly WHEN it came out. Discogs says 1974, but that sounds too late to my ears- I would guess 1970 at the latest. There's also no mention of Dorothy (Dotty) Reid or Bonnie Frankson in the copy of Reggae: The Rough Guide that I just pulled off my book shelf.

Thankfully, lack of details and data do not hinder the enjoyment of the beautiful music found within the grooves.

from c1970...

DOTTY & BONNIE - YOUR PICTURE


Tuesday, December 25, 2012

SATURDAY'S CHILDREN - CHRISTMAS SOUNDS b/w DECK FIVE


(originally posted 12/10)

While I don't generally pick favorites, as each year passes this record has gotten deeper and deeper into my soul, and I could probably say that it's my favorite rock n roll Christmas single.

One area that wasn't explored very deeply by US garage bands was the Christmas record; however, Chicago's Saturday's Children were way too sophisticated to be called a garage band.

Here, the band (deeply influenced by the Beatles) melds "Deck The Halls" with Dave Brubeck's jazz standard "Take Five' and turns it into a jazzy, quasi-psychedelic number that I almost guarantee will bring on some holiday cheer. This group had an incredible knack for harmonies, and tackle the tricky 5/4 time signature with ease making for the most hypnotic Christmas record I've ever heard. The other side ("Christmas Sounds") is an exceptional holiday original showcasing their excellent group harmonies and songwriting skill. This song gets closer to my heart with each passing year, and sadly, Saturday's Children main man Ron Holder passed away about a month ago (not to mention Mr Take Five himself, Dave Brubeck) making this record extra powerful this season.

from 1966...


SATURDAY'S CHILDREN - CHRISTMAS SOUNDS

b/w DECK FIVE

Monday, December 24, 2012

THE EMOTIONS - WHAT DO THE LONELY DO AT CHRISTMAS

Ahhhhh The Emotions. Made up of Chicago's Hutchinson sisters (Sheila, Wanda and Jeanette), these three ladies took sisterly harmony to an otherworldly level on this melancholy Christmas track which was released just a few short years before they had some major (and well deserved) hits on Columbia records. Just in their early 20's at the time of this release, the sisters had already been recording for six years by this point.

I wish everyone peace and happiness this holiday season. Personally, all I want for Christmas is gun control.

from 1973...

THE EMOTIONS - WHAT DO THE LONELY DO AT CHRISTMAS

Sunday, December 23, 2012

THE GRAPEVINE - THINGS AIN'T WHAT THEY USED TO BE ANYMORE

This seems to be a one off recording, and unfortunately I have no info about the group. I would assume they were from southern California...

Whatever the story, it's a lovely song and one that still seems far too relevant today.

from 1967...

THE GRAPEVINE - THINGS AIN'T WHAT THEY USED TO BE ANYMORE




Saturday, December 22, 2012

THE ORLONS - DON'T YOU WANT MY LOVIN'


(originally posted 8/25/2009)

After a few hits and lineup changes, this group took on a surprising, harder edged sound for this single that wasn't a hit but should have been. What an incredible song.

The Orlons story is a bit too complex to get into here (their wikipedia entry is well written and comprehensive) but they hit big with "South Street" and "The Wah Wahtusi" in the pre-British Invasion days; kept making records such as this one but never had another hit).

from 1965...

THE ORLONS - DON'T YOU WANT MY LOVIN'

Friday, December 21, 2012

JILL HARRIS - BABY, WON'T YOU TRY ME

Spoiler alert! At 1:47, one of the coolest "middle 8" sections of a song I've ever heard happens; pure GENIUS!!! Producer Robert Bateman obviously knew it as well, as the section repeats at the outro.

Bateman certainly had an ear for female vocalists; he was an early producer at Motown and counts the Marvelous Marvelettes among his discoveries. Jill Harris has a MASSIVE voice, and it's a pity that she only released two singles before fading into obscurity.

It has been said that Dee Dee and Dionne Warwick are singing the (glorious) backups here.

from 1964...

JILL HARRIS - BABY, WON'T YOU TRY ME


Thursday, December 20, 2012

RAY COLUMBUS & THE ART COLLECTION - KICK ME (I THINK I'M DREAMING)



Here's one that, if you can make it to Cafe Du Nord in San Francisco tonight, can be heard live. Powder, the great band that evolved out of the Art Collection, will be playing it! I'm stoked beyond belief to be a part of this bill.

(originally posted 2/5/11)

I have been fortunate for the last three weeks to be on tour in Australia/ New Zealand and have had plenty of time for some epic record digging, arming myself with a bevy of OZ beat 45's. The similarities between Australia and my California home are striking, and I felt very much at home in the cities of Melbourne, Auckland and Perth, especially. As I was thinking about going home the day after tomorrow, it only made sense to feature this record with its New Zealand/ Australia/ California connection.

Ray Columbus was the first rocker to have a hit outside of New Zealand with his crack band the Invaders (his "She's A Mod" cracked the top of the Australian charts in 1964). A number of hits followed, and Ray & The Invaders were at the top of their game down under. Ray wished more than anything to get the band to the US, but was never able to get a work permit.

However, around 1966 he married a California woman and ended up in San Francisco and local mods the Art Collection (featuring none other than Richard Frost, heard a few weeks ago with "She's Got Love") became his backing group. I was fortunate enough to talk to Richard at the end of 2010, and he explained that the bay area had no idea what to do with this outlandish, extroverted New Zealand mod wildman! Ray self-released this record (with a re-recording of "She's A Mod" as the flip) and there is a very rare clip of the band performing this song in an SF teen club and they were incredibly powerful as a live act.

The song itself is an incredible, fuzzed out stomper of the highest order.

from 1966...

RAY COLUMBUS & THE ART COLLECTION - KICK ME (I THINK I'M DREAMING)

Wednesday, December 19, 2012

THE BANG GIRL GROUP REVUE - (CHRISTMAS) BABY PLEASE COME HOME

Today's entry is a "virtual" 45... It doesn't exist physically, but this is a free holiday offering from my band, complete with fantasy picture sleeve to boot (with an actual colored pencil drawing by the amazing San Francisco artist Galine Tumasova).

Christmas songs simply don't come any finer than Darlene Love's classic, and we present a stripped down acoustic take which showcases the ladies' vocals so beautifully. I admit, I was downright hypnotized by their harmonies when we cut this, and it was tricky to stay focused on playing guitar at times!

We are reminded me once again how music is one of the greatest healing forces that we all can enjoy, and we are very pleased to offer this track as a free download.

from 2012...

THE BANG GIRL GROUP REVUE - (CHRISTMAS) BABY PLEASE COME HOME


For those of you in the SF bay area, we perform Thursday, December 20 @ Cafe Du Nord with the legendary POWDER and THE RAIN PARADE.

Tuesday, December 18, 2012

THE OPALS - I'M SO AFRAID


(originally posted 2/24/11)

The story of The Opals is a story that is practically made for this blog in that it incorporates so many of my favorite performers/ producers. The Opals, from East Chicago, IN (a grim steel mill town just outside Chicago) were discovered in 1962 by The Dells, at a performance in Gary, IN (near East Chicago). The Dells (possibly the finest male harmony group of all time) liked what they heard in these lovely ladies and allegedly worked with them as their pupils; shortly after the discovery they were singing backups on Betty Everett's "Shoop Shoop Song (It's In His Kiss)". They eventually made their way to being a sort of house girl group for Okeh Records, were they backed Otis Leavill and the mighty Major Lance on a number of records.

Producer Carl Davis felt the ladies were due to step out on their own, and cut a few sides which included this lovely Curtis Mayfield number which turned out to be their final release. Sadly, this was the last thing heard from these talented gals.

from 1965...

THE OPALS - I'M SO AFRAID

Monday, December 17, 2012

LOUIS JORDAN - WORKIN' MAN

By the time of this records' release in 1962, Louis Jordan had been a performing and recording musician for nearly 25 years, and unfortunately his popularity had waned. Jordan was incredibly successful during the late '40's/ early '50's where, thanks to his popularity, became known as the King Of The Jukebox.

On this track (recorded for Ray Charles newly established Tangerine label), Jordan showed that he was perfectly capable of keeping up with then-contemporary r&b by delivering this MASTERPIECE. Another one of those "blink and you'll miss it" tracks (it clocks in at 1:48), Jordan packs a whole lot of musical sophistication, excellent vocals (both from himself and the backing female singers, probably the Raelettes), and a simply fabulous song, penned by Titus Turner.

from 1962...

LOUIS JORDAN - WORKIN' MAN

Sunday, December 16, 2012

DEON JACKSON - THAT'S WHAT YOU DO TO ME


(originally posted 4/4/09)

Simply a great feel good song we have here. I read recently that Deon is a high school principal in suburban Illinois. I wonder if the kids have any idea!

from 1966...

DEON JACKSON - THAT'S WHAT YOU DO TO ME

Saturday, December 15, 2012

I.A.P. CO. - CHECK YOURSELF

This amazing harmony record seems to be a one-off under this name from New York City doo wop group the Duprees, who had recorded together for over a decade by the time of this release. No surprise, as the vocals are simply outstanding.

from 1970...

I.A.P. CO. - CHECK YOURSELF

Friday, December 14, 2012

OZZ AND HIS SPERLINGS - CAN YOU QUALIFY? b/w DADDY ROLLIN' STONE


(originally posted 9/9/10)

As I will be unable to post anything for the next two days, I had to think about a record to post that is so high, so mighty, so POWERFUL that it had the potential to last the whole weekend. The decision was simple, this record could easily last all WEEK!

San Francisco's Jesse Osbourne is the OZZ in question here, and he released four singles; this is without contest the finest. "Can You Qualify?" gets the most attention, and I could never argue THAT point (it's one of those sides that to this listener simply CANNOT be bettered) but the OTHER side is pretty fine as well (and it's a different song than the Derek Martin/ Who/ etc classic).

from 1966...

CAN YOU QUALIFY?

DADDY ROLLING STONE

Thursday, December 13, 2012

MIGHTY JOE DRAKE - TRY, TRY, TRY

1:34 of pure goodness!

Mighty Joe is a mighty mystery; this seems to be his only release, and I don't know any biographical info.

from 1969...

MIGHTY JOE DRAKE - TRY, TRY, TRY


Wednesday, December 12, 2012

THE STEPSTONES - LEAVE US ALONE


(originally posted 4/10)

Sorry for the rather incomplete entry here, but I'm out of town have a lousy web connection and I've never researched this record before. So I present to you an excellent Detroit record- some have said that this is David Ruffin moonlighting away from Motown on this cut; wouldn't surprise me.

Web sources say 1966, but sounds a bit later to me. All in all, an excellent, driving record with a spooky feel!

THE STEPSTONES - LEAVE US ALONE

Tuesday, December 11, 2012

GLORIA TAYLOR - YESTERDAY WILL NEVER COME AGAIN b/w UNYIELDING

What a fantastic double sider! "Yesterday" has a great bubblegum-soul groove, but when it gets to the bridge section of the song ("You better be careful my dear...") the mood brilliantly shifts into a far heavier vibe. "Unyielding" is an all out groove burner!

Long believed to be a Detroit based artist, while trolling the web for info on Gloria (alas, there's hardly any out there) I've come to find that she is from the Toledo, Ohio area (which is where this record was cut, I believe). No surprise that she was believed to be part of the Detroit scene, as this record certainly has the Detroit vibe on both sides. The W. Whisenhunt name seen on the labels is said to be her husband.

from 1970...

GLORIA TAYLOR- YESTERDAY WILL NEVER COME AGAIN

b/w UNYIELDING

Monday, December 10, 2012

JOE TEX - YOU BETTER BELIEVE IT BABY


(originally posted 5/2/09)

In his long career (cut short first by retirement from music, then sadly by premature death), Joe Tex cut oodles of great records, most of which languished in obscurity.

From '63 til around '72, just about everything Joe released on 45 was good, most were exceptional.

This particular track is a favorite b-side of mine; I love the British Invasion style breakdown riff!

from 1966...

JOE TEX - YOU BETTER BELIEVE IT BABY

Sunday, December 9, 2012

THE O'JAYS - STAND IN FOR LOVE

While the O'Jays became one of the star acts of the Philadelphia soul scene of the '70's, their roots and beginnings in Canton, Ohio stretch far deeper. The group was formed in the late '50's, and cut their first record as The O'Jays in 1961, with a previous release as the Mascots the previous year.

The O'Jays released many singles on several labels throughout the '60's, practically all of which are fantastic. While the group never had the massive hit they deserved through the period, they soldiered on- one amazing performance at a time

This type of career longevity before success is practically unheard of in today's music scene.

On this track, Eddie Levert (who also wrote the song) delivers a heartfelt, powerful performance that is the epitome of soul. His fellow O'Jays harmonize so beautifully behind him, and the drummer powers along in a way that takes this ballad into territory that a ballad typically does not go.

GLORIOUS stuff.

from 1966...

THE O'JAYS - STAND IN FOR LOVE

Friday, December 7, 2012

THE ISONICS - SUGAR


(originally posted 8/11/09)

An absolutely incredible record, seems as though this is the only release from both the group and the label. I am assuming they were from the L.A area, as the label lists a Beverly Hills address. As always, if anyone has any more info, PLEASE write!

The song has a vaguely Latin flavor, with an arrangement and vocal to die for.

from 1967...

THE ISONICS - SUGAR

Thursday, December 6, 2012

DAVE DEE, DOZY, BEAKY, MICK & TICH - HE'S A RAVER

Dave Dee, Dozy, Beaky, Mick & Tich (DDDBMT), while massively huge in the UK, Germany, and Australia, never made many inroads of success in the US. Somewhat strange, as tracks such as "Hold Tight" are MASSIVE beat numbers (and a equal number of lightweight pop). However, taking into account the number of syllables in their name, perhaps American radio DJ's just weren't having it which limited their exposure.

On the flip side of "Okay" (which is, as its title suggests, merely OK), we have this wild mod rocker that, in the vein of The Pretty Things mega opus "Midnight To Six Man", epitomizes the dandy lifestyle.  The group certainly dresses the part on this German-issued picture sleeve as well.

I really love the pregnant pause just before the organ and guitar solos.

from 1967...

DAVE DEE, DOZY, BEAKY, MICK & TICH - HE'S A RAVER

Wednesday, December 5, 2012

SHARON SCOTT - COULD IT BE YOU

(originally posted 9/24/10)

 All I know about today's featured singer is that she was from Philadelphia, and, unbelievably, this was her only release!

Everything else is contained in the grooves.

from 1966...

SHARON SCOTT - COULD IT BE YOU

Tuesday, December 4, 2012

CANDY COATED PEOPLE - TIME TO LOVE

Latin rhythms, a nearly free jazz sax solo and a female vocal that pins me to the WALL- all the ingredients that make for one SLAMMING record.

I'm not sure if the "Herby" Harris here is the same "Herbie" Harris that is a prolific keys/ percussionist in the reggae scene, but all signs point to yes, it's the same person.

Other than that, this is another mystery disc. Seemingly the only release on this record label, and the only release from this band.

What I wanna know is WHO is the lead singer?

from c1971...

CANDY COATED PEOPLE - TIME TO LOVE

Monday, December 3, 2012

THE COMPANIONS - BE YOURSELF


(originally posted 12/23/09)

Quite simply, what can be better than having someone to tell you "just be yourself". As for me, during the holidays, I am especially thankful to have someone in my life who not only tells me to be myself but encourages my obsessive record related behavior and tolerates the kind of time that I put into said obsession, including this blog! She's a keeper, for sho.

This is a gorgeous record that is shrouded in complete mystery. seems to be the only record cut by this Philadelphia group, and no one even seems to know when it was cut! Quite often, records have matrix numbers in the run off groove that have date codes. Not this one. Almost as if it were meant to be a mystery from the minute it was cut. I love how the singer almost chokes a few times reaching for certain notes. Sublime. I'm guessing at the year...

from c1966...

THE COMPANIONS - BE YOURSELF

Sunday, December 2, 2012

THE RADIANTS - IT AIN'T NO BIG THING

Formed in a Chicago church in 1960, Chicago's Radiants went into secular music as they found it difficult to get noticed while singing gospel.

The big harmony sound of the group is certainly rooted in the church, and is heard in full beautiful effect on this track, which was released as the followup to their big '64 hit "Voice Your Choice". This song has a similar lilting groove, may not be quite as clever as "Voice" but has excellent lyrics by Gerald Sims nonetheless.

from 1965...

THE RADIANTS - IT AIN'T NO BIG THING



Saturday, December 1, 2012

GEORGIE FAME - YEH YEH

Born Clive Powell and re-named Georgie Fame against his will by huckster/ manager Larry Parnes, Georgie Fame is one of the UK's finest musicians- his r&b/ jazz hybrid has helped establish a lifelong career in music, and he is still active today (as Van Morrison's organist and band leader).

This fantastic record was Georgie's first #1 hit in the UK (and was massive on the continent as well, resulting in a German language version), and it's easy to see why- a swingin' jazzy track with great vocals, and a lead up to the chorus (when he sings the line about "turning the lights down low") that is simply PERFECT in how it stops time and changes the mood of the song from something light into a very powerful moment.when all is said and done, we practically have the British equivalent of a Ray Charles track; it certainly has the same class, musicianship and groove!

Plus, could he possibly look any cooler than he does on the cover of this French EP? I think not.

from 1964...

GEORGIE FAME - YEH YEH



Friday, November 30, 2012

IDES OF MARCH - I'LL KEEP SEARCHING

Several years before they went brassy and added a horn section, Chicago's Ides Of March released a string of excellent, jangly garage rock singles for Parrot and Kapp Records that went nowhere (other than local AM radio success). This track shows a fantastic British Invasion influence and was written by a songwriter (Jeff Milne) who started a band called Factory around 1969.

This particular side (their debut release) shows off their British Invasion influences in full effect, and is a very well-written track from the band, and showcases their excellent harmony work and a drop dead infectious guitar riff. Technically, this is the b-side but I find it much stronger than the flip side ("You Wouldn't Listen").

from 1966...

IDES OF MARCH - I'LL KEEP SEARCHING



Thursday, November 29, 2012

EL ANTHONY - WE'VE BEEN IN LOVE TOO LONG

This is the type of song that, when I hear it, can't help but think that if it were released on a larger label it could have been massive.

This track by Gary, Indiana native El(dridge) Anthony is the type of record that creates legends; such a GREAT song and performance, and very little information available about the artist. Plus, La Cindy Records released some of the most elusive (and great) Chicago discs within their five-record discography. In addition to this track, the label also released Ernest Moseley's version of The Sheppards "Stubborn Heart", as well as the amazing single by Walter and The Admeration's (sic) that was thankfully issued by Numero in the excellent Omnibus set; originals sell for the price of a nice used Honda.

Back to today's entry: I absolutely love the dramatic sound of the record; a super arrangement, fabulous vocal and simply a great song that has a haunting feel, conveying the emotion of the lyrics, itself a theme that doesn't pop up often in song from this particular viewpoint.

from c1969...

EL ANTHONY - WE'VE BEEN IN LOVE TOO LONG

Wednesday, November 28, 2012

BARBARA LYNN - YOU CAN'T BUY MY LOVE


(originally posted 4/6/09)

In my ongoing series of featuring practically every record recorded by Ms Barbara Lynn, here's yet another great one, showcasing her always groovin' rhythmic drive in full effect. If that's not the Sir Douglas Quintet backing her on this track, I would be VERY surprised!

from 1965...

BARBARA LYNN - YOU CAN'T BUY MY LOVE

Tuesday, November 27, 2012

JIMMY NORMAN - THAT LITTLE OLD GROOVEMAKER (Happy 70th birthday, Jimi Hendrix)

Before being "discovered" by Chas Chandler and the formation of the Experience in England and the massive success that followed, Jimi Hendrix lived in abject poverty and took whatever gigs and sessions he could. Stints with The Isley Brothers and Little Richard which resulted in sessions and tours were perhaps the most high profile, yet there was a string of other fabulous soul singles cut that took full advantage of the man's wizardry of the guitar.

This is one of the most obscure singles which feature Jimi, and what he does during the intro is 100% pure Hendrix. The recent West Coast Seattle Boy box set collects this and other gems (including the impossible to find Rosa Lee Brooks "My Diary" single, which is not only Jimi's first session but also featured a pre-Love Arthur Lee), however the version of this song used on the set is a completely different take!

Jimmy Norman found the most success of his career in writing the lyrics to the eternal "Time Is On My Side", and released a handful of singles on his own.

from 1966...

JIMMY NORMAN - THAT LITTLE OLD GROOVEMAKER

Monday, November 26, 2012

POOKIE HUDSON - THIS GETS TO ME


(originally posted 6 July 2009)

Could ever a song title be more true?

This song certainly gets to ME; it's records like this that make me devote so much of my time to collecting records.

Pookie was the lead singer of legendary doo wop group the Spaniels, and after the Spaniels disintegrated after doo wop waned in popularity he disappeared for a while but came back with this record. Sadly, it went nowhere but the doo wop revival was right around the corner and Pookie's new Spaniels performed until his passing two years ago.

A real gem of a record.

from 1966...

POOKIE HUDSON - THIS GETS TO ME

Sunday, November 25, 2012

JIMMY JONES - I DON'T MIND CONFESSING

By the time Jimmy Jones released this record in 1970, he already had fifteen years of recordings in his discography. Jimmy was a member of groups The Sparks Of Rhythm, The Savoys, The Pretenders and The Jones Boys before striking big in 1959 with the massive hit "Handy Man".

Jimmy recorded all throughout the 60's and early '70's but never again duplicated that early hit.

This particular side has a great spoken intro, an irresistible groove, and excellent female backing vocals showing that Jimmy certainly fit in well with music that was hip at the time (and of course STILL sounds hip.)

from 1970...

JIMMY JONES - I DON'T MIND CONFESSING


Saturday, November 24, 2012

SARI & THE SHALIMAR - NO REASON TO DOUBT MY LOVE b/w TOO ANXIOUS





First off I need to say that both sides of this record are really great; top notch songwriting and heavenly singing from these ladies. While this record is almost certainly a New York City production, that's all I know about the group (other than at least one more release on Verve, 1966).

"No Reason" is what I like to call a "slow burner"; it has a subtle sound on the surface, but by the end the listener is completely sucked into its majesty! "Too Anxious" has a great bubblegum kinda groove but with some jazzy sophistication beneath the sugar coating. Co-writer and arranger Horace Ott also wrote "Don't Let Me Be Misunderstood", done brilliantly by the Animals.

from 1968...

SARI & THE SHALIMAR - NO REASON TO DOUBT MY LOVE

b/w TOO ANXIOUS


Thursday, November 22, 2012

LENIS GUESS - JUST ASK ME

One would easily be led into hearing this record and thinking it was a Detroit production; not so, as Lenis Guess is from Norfolk, VA (which is where the record was cut).

This record is a fantastic stomper, with excellent vocals (Lenis' lead, a call and response section, and female backing) and wild energy.

This is Lenis' debut record, and he has been active in the arts ever since- music, theater and films. His current music is in the gospel vein.

from 1966...

LENIS GUESS - JUST ASK ME

Wednesday, November 21, 2012

THE CAESERS - GET YOURSELF TOGETHER


(originally posted March 7, 2010)

This gorgeous record seems to be a companion to "I've Got Myself Together" by The La Niers; released on River City Records (with the exact same label design as this, and both are arranged by jazzman Hugh Whalum).

I tried to get more info about this disc, and all roads lead to Rome, in this case and unfortunately I didn't learn anymore about this record than when I started out (it's a favorite in the Lowrider community, The Caesers had a few more highly regarded and collectable sides, and it was cut St Louis). I did find a New York City radio playlist for March '67 that listed it as a record "on the move". Should have been a massive hit.

from 1966...

THE CAESERS - GET YOURSELF TOGETHER

Tuesday, November 20, 2012

THE GENERAL SOUL ASSEMBLY - THE HAPPY SONG

While this tune certainly won't win any awards for being life changing or earth moving, something about its pure simplicity and celebration of music is very appealing.

It also seems to be the only release from this group, and I'm taking a guess at the year.

from c1968...

THE GENERAL SOUL ASSEMBLY - THE HAPPY SONG



Monday, November 19, 2012

THE POETS - NOW WE'RE THRU


(Originally posted 12/2008)

Today's entry is a phenomenal piece if moody British beat, and in fact the only 45 issued in the US by this group that was managed and produced by Andrew Loog Oldham (most famous as the manager/producer of the Rolling Stones). With its' chiming 12 string guitar, huge reverb drone, and punky vocals, its practically a precursor to the Velvet Underground but with a Scottish accent. The Poets were from Glasgow, Scotland, released a few more singles that sank without a trace and sadly broke up before recording an album.

from 1965...

THE POETS - NOW WE'RE THRU

Sunday, November 18, 2012

MICHAEL WASHINGTON - LITTLE GIRL

Young Michael Washington (probably in his early teens at the time of this release) hailed from Washington DC and was discovered by Capcity label heads Foster Johnson and Joe Tate. he released two singles, of which this one had SERIOUS hit potential.

For whatever reason, it was not to be. After his second release, Michael seems to have faded out of the music scene. A pity...

from c1970...

MICHAEL WASHINGTON - LITTLE GIRL


Friday, November 16, 2012

GLORIA JONES - HEARTBEAT

(originally posted 2/08)

What can I say about this record other than the fact it's one of my all time favorites?

This is the type of record where inspiration, talent and an unbelievably excellent performance from all result in a record that, no matter how many thousands of times I've listened to it, blows my mind with each successive listen.

Producer/ songwriter Ed Cobb discovered teenage Gloria Joneswhile she was a member of gospel group The Cogic Singers. Gloria was already crossing over into pop, and the meeting with Cobb proved to be fateful. Her first single, "Tainted Love" has gone on to become not only a northern soul anthem in its original version, but also took on a second life in 1981 when the Soft Cell cover became one of the most popular new wave club hits of all time.

While there's no denying the power and majesty of "Tainted Love", to this listener 'Heartbeat" is the greatest record that Gloria cut, and as I mentioned earlier, one of my all time favorites as well. Special props go to brilliant arranger Lincoln Mayorga (dig the hypnotic heartbeat rhythm section) and the organ (probably played, or better yet SLAYED by Billy Preston). Gloria's voice here is the epitome of power and soul, and luckily for us, it's spread out over two parts. I'm the type of person who finds a 2:40 single side to be musical perfection, but with a track like this, I'd be fine with it stretched out over an entire LP side.

from 1965...

GLORIA JONES - HEARTBEAT

HEARTBEAT PART TWO

Thursday, November 15, 2012

VALERIE & BOBBY CAPERS - WILDCATTIN'

This record is flat out OUTRAGEOUS r&b that has an undercurrent of sophistication on top of the primitive sounds. The sound is dense, and flute and melodica fight to be heard over the incredible drumming and pounding piano track, while Bobby and Valerie vocalize some serious heat. Rhythmically, this record takes some slight cues from the then massive NYC boogaloo scene, but its truly somethin' else entirely and wholly unique.

Known more as a jazz pianist and educator, Valerie Capers (who was blinded as a child) has a fascinating story, which I highly recommend reading here. Her and brother Bobby were brought up in Harlem with a STRONG musical background (father Alvin was a stride pianist who was close to Fats Waller), and Valerie became the first blind graduate of the prestigious Julliard School Of Music in 1959. From '60' til '67. Valerie served as a teacher at the Bronx Neighborhood School Of Music; all the while she was composing music, and her first LP of jazz compositions was cut around the same time as this single.

Sadly, Bobby died in 1974; Valerie continues on to this day in the New York jazz scene as a performer and teacher.

from 1967...

VALERIE & BOBBY CAPERS - WILDCATTIN'