Fair Use disclaimer

All music presented on this site is shared under the premise of "fair use"; this site is solely intended for the purpose of education and critique. If you are a rights holder to any of the music presented and wish for it to be removed, simply contact me directly and it will be taken down.

Thursday, August 15, 2019


When I put this site to rest a few years back, it was mostly because I felt the records I was featuring weren't up to a high enough standard by that point. However, it sure is nice to come across an occasional gem that gets me fired up about 45's again. This is one of those kinda records.

I was familiar with (L.A soul group) The Autographs, as their uptempo stomper 'I Can Do It' was an early feature on this site, so it was a pleasant surprise to hear this sweet soul mini-masterpiece and welcome it into my collection.

Apparently, this group was working with (west coast Motown producer) Hal David, and they were likely the backing voices heard on several Brenda Holloway records. Hal hooked them up with the tiny Los Angeles label Joker, where they cut a few records of their own. Another Los Angeles R&B legend, Chester Pipkin, produced and co-wrote this gorgeous track.

It's dreamy, propulsive, and features some glorious male/ female vocals on top of an excellent song; the type that had serious hit potential if it would have fallen into the proper channels.

Saturday, February 16, 2019


(originally posted 11/10/09)

When I originally wrote about this record (nearly ten years ago? WOW. Can't believe how time slips away), there was little to no information out there about the group or the record, and the same rings true today (although we do know that this was a Los Angeles record). At the time, I had the UK reissue from the mid 70s and for years I've casually searched for an original copy, as this is truly one of my favorite soul singles. Thanks to a good friend and a great deal, this well loved (but still great sounding) OG copy is now in my stash.

Many of these mysterious records have seen information come to the surface in the internet age, and one of the coolest aspects of writing this blog was that many of the relatives of the artists would come forward, and in a few occasions the artists themselves did, more often than not touched that anyone still could be excited about records they made many years ago. Sadly, no more info has come to light on this amazing one-off record.

They don't come more exciting than this quick rush of energy! Kicking off with a guitar riff that could have stepped straight off of a psych record from the same year, a swirl of strings and then a POUNDING four on the floor drum beat, we're then graced with the glorious, powerful vocals of the Vel-Vets, with all of their infectious 'WOO's' and a lead vocal that captures the yearning of the lyrics. They don't come any finer.

from 1967...


Friday, January 18, 2019


(originally posted 1/25/10)

Los Shakers were from Uruguay, and brothers Hugo and Osvaldo abandoned a budding successful career in jazz when they heard the Beatles. These guys were YOUNG when they started (they were teens when they became professional jazz musicians) and the original lineup released three INCREDIBLE albums and a handful of singles (this is one of their non-LP tracks). Their 1968 album (which is essentially an answer to the Beatles Sgt Pepper LP) titled "La Conferencia Secreta Del Toto's Bar" is simply the best relatively unknown rock n roll (although it incorporates strong South American elements and even a few jazzy passages) album of the sixties. I would argue 'til I'm blue in the face about that! Los Shakers took a strong Beatles influence and didn't merely copy, but used their love for the Beatles to unlock their own creativity.

Beatle-esque harmonies over a tropicalia sound; it doesn't get any better than 'Adorable Lola".

from 1968...

Wednesday, January 16, 2019


(originally posted 3/18/09)

Barbara Lynn is certainly no stranger to this blog!

Seems as though I have featured more of her singles on this blog than any other artist. No way for me to hide how much I love her.

I am very happy to say that after a long period of either being outbid on ebay for it (and also thinking GASP do I really want to pay THAT MUCH for this record????) I'm now the proud owner of this 45 that is said there are about 20 known copies of. It's NEVER been reissued or included on any comps (I'd like to fix that- if anyone who produces reissues is reading, please email me. I would love to see this get reissued somehow). (Update - I provided a dub of my copy that was used on the Jazzman compilation).

Of course, just because something is RARE doesn't mean I want to listen to it! This infectious record absolutely slays me!

This record was cut after Barbara Lynn moved to L.A and was comfortably settled into motherhood and only gigging locally, occasionally. There was a LONG period (about 5 years) where she didn't record anything, and there was a gap of another 4 years or so after this.

from 1979...